About the CDs
 
TAKE IT TO HEART
When I wrote “Take it to Heart”, I thought it would be great to have Ray Charles sing it. Sadly, “The Genius” died before I could get the song recorded, but imagining him performing it gave me the idea to write a series of songs in the style of the vintage country pop of the 1950’s and 1960’s. Writing the songs with this vision was a lot of fun; recording them was the icing on the cake. Add a few cover tunes to these originals, and you have the “Take it to Heart” collection. With nostalgia in mind, I called upon the beautiful Mayfair Theatre just blocks from my home in Old Ottawa South as a backdrop for the photos. Built in 1932, the Mayfair originally featured silent films with a house piano player. I hope to bring “Take it to Heart” live to the theatre stage this year.
I want to thank Al Bragg for sharing the vision with me – your footprints are all over this recording! Thanks to The Vinyl Frontier (Pat McLaughlin, Ann Downey, Al Bragg, and Bob Bangs) for breathing life into my songs – I’m truly honoured. Thanks to Victor Emerson for your support (and for naming the band); to Dave Holford and the Mayfair Theatre; to Jason Jaknunas, Noah Mintz, Mary Moore, Marc Rochon, and Garry Greenland for your contributions; to my family and friends for being there – and to Ron Moores, and DJ’s, and to all supporters of music for making this possible.
 
All Songs by Pat Moore except *
 
1. Forgivin’ and Forgettin’    2:45
Western Swing – simple message: “forgivin’ and forgetting’, that’s my motto”.
2. How Long     3:56
“First you ignored her, now you adore her”. Where’s the line?
3. Cold-Hearted Man     2:58
We had a lot of fun with this one. What rhymes with circus?
4. Strange*     3:02
By Mel Tillis and Fred Burch – a great song that hasn’t been overdone.
5. I’ll Be Your Fool ‘Til the End of My Days     2:03
We were already well into the recording of the CD when I wrote this one. I thought “we don’t have a Louvin Brothers-style duet”. Now we do!
6. There’s a Dark Cloud Hanging Over Me     4:41
Think Johnny Cash. Like Ray Charles, another inspiring artist.
7. From One Cheatin’ Heart to Another     2:55
Hank, Hank, Hank…there are always two sides to the story. Here’s mine!
8. It Hurts     2:46
Yup – it’s a hurtin’ song, complete with full 4-part harmony. Cheesy but fun, “it really hurts”.
9. You Don’t Know Me*     3:53
By Cindy Walker and Eddy Arnold – a beautiful song.
10. Are You Drinking Too Much*     4:24
A dynamite song by Fred Eaglesmith. When I first heard this song, years ago, I thought “wow, sounds like an oldie!”
11. Take it to Heart     4:02
I have a video running through my mind whenever I sing this song … “Two glasses in the parlour, lipstick smudged on one…” A bit of Patsy Cline, a dash of Ray Charles, add a drop of Ted Hawkins, and you’ve got Take it to Heart.
 
 
THE TIME’S NEVER BEEN BETTER
We recorded live at Sound of One Hand Studios in Ottawa, over 3 days at the end of Sept/early October and a few evening sessions as well. Al Bragg produced the CD. I’m very very happy that Al took this project on - he’s amazing!

I was very fortunate to have a cast of excellent musicians with me...

Ray Legere (East Coast Music Award winner) on mandolin and fiddle, Steve Piticco on guitar (one of Canada’s most amazing guitarists - of South Mountain and The Radio Kings), Ken Kanwisher (who has become a mainstay in local recording sessions) on acoustic bass, Junior Barber (of the Gibson Brothers) on dobro, Dick Smith (of bands such as the great Country Gentlemen, and currently the Mike O’Reilly Dick Smith Band) on banjo, Tracey Brown (of the Family Brown) and Marty McTiernan on harmonies.

Also appearing are Duncan Gillis (of Shindigo) on wooden flute and bodhrán, Ray Adams (of Bytown Bluegrass) on mandolin, Mike O’Reilly (of the Radio Kings, Cody, and The Mike O’Reilly Dick Smith Band) on harmony and Pete Newsome on acoustic bass. OH YES - and I’m playing guitar on a couple of numbers and acoustic bass on one as well. AND even John Dooher (Sound of One Hand) got in on the act, adding tasteful percussion to Salt Water.

The songs are all my original composition - and of course... it’s my voice you’ll be hearing.

About the songs...
I like to tell a story with my songs; paint a picture, and bring you into it. Here’s a little intro to the songs on “The Time’s Never Been Better”.

Leavin’ Alice is a coming-of-age song - a feel-good “moving on” story of a young woman who leaves the town she grew up in, in search of a better life. “For the first time in my life, I’m finally feeling free...”

Better Off is the fun story of a woman who finds out on the 6 o’clock news that her man has left her. A bit of the wild side of life... A robbery, an escape, an abandoned car, a cold trail....

Salt Water... Bit of a world beat tune. Lost love. “Salt water burns my eyes, salt water wells from within.... Salt water, what will the tide bring in.”

Did you ever wake up and wish you could start over? The Wrong Train is a fun look at that kind of day - or life. Ray Legere jumps right in with a fiddle intro that will make you want to dance. Dick Smith featured on the banjo. “Shoulda’ bought the Buick, or perhaps the Oldsmobile, this second hand compact just don’t have the right feel...” This fast-paced bluegrass song will get your toes tapping!

Far From Yesterday is where she wants to go. Full of optimism, she takes to the street at 17. “No more excuses, they wear thin - no more lies, they won’t win her over. She never fit in their plans.” The dobro really sets this song up nicely.

Billy’s Song was written after having watched a documentary on TV about kids who are bullied. “No one ever knew what Billy was going through, or the world he built inside of his head.” What happened to Billy is up to you. Tracey and Marty’s harmonies are particularly sweet on this one.

Cash and Carry is a tongue-in-cheek look at the story of a couple of would-be thieves who tried to break into an ATM machine in North York, Ontario using a backhoe - and blew it. (Surprise, surprise!) Based on a news headline of the same name. “Where’d you get that crazy idea that you could figure it out, what gave you the thought that you were a genius, that dogs wouldn’t bark, you couldn’t be seen in the dark, draggin’ it back to your hideout.” Fun to note that Phil Demetro of Lacquer Channel said “I remember this... It was right down the street from here. They ended up pulling the whole wall off the building! This song is great!”

A young girl from Lanark county, a young lad from Lennox. Blueberry Hill is a love story that will take you to Highway 7 at Kaladar, Ontario, and along the Skootamata River . It tells the story of an elderly couple who have spent their lives in this rocky, harsh land where little grows but blueberries and wildflowers, and one can “hear the phoebes sing, and marvel at the wingspan of the Great Blue Heron as it glides across the lakes, over the rushes in the spring.” Beware... this song has brought tears to the eyes of even “big guys”.

Yesterday’s Promise tells the story of John Green and Catherine Mulcahey, who came from Ireland in 1823 and homesteaded near Shipman’s Mills, Ontario, now known as Almonte. This true story, inspired by Donald MacKay’s popular history book “Flight From Famine”, brings a celtic flavour to the CD. 500 souls, eight weeks at sea. The people, places, and events are real, from the Blackwater in Ireland, to Peter Robinson - the namesake of Peterborough Ontario - the journey from Prescott to Shipman’s Mills, and the granting of land. Duncan Gillis’ Irish flute intro carries you into the story and places you there on the land and seascape.

The Farmer’s Protest. In the spring of 2000, Canadian farmers came into major cities on tractors and trucks to protest the government’s position on international situation of agriculture trade. This is the farmer’s perspective. “Desperation’s settin’ in, our patience is growing thin, our backs are up against the wall. Don’t you give a damn, don’t you care at all?” Lots of emotion.

Falling (Midnight Rendez-vous) a deliciously sensuous encounter. Sparse, well chosen words, paint a vivid scene. Dobro, guitar and bass. Sweet and simple.

Since the Day She was Born is a song for people going through change. I wrote it for my daughter, when we moved from the only home she’d known for the first 16 years of her life. “Life goes on making memories, you don’t trade the old for the new ...”

The Time’s Never Been Better is an optimistic swing tune that leaves you feeling that life’s pretty good. This song was written for someone who needed a little encouragement to move on. “I see a whole lot of promise, got a song in my heart, with a hook that will get you right from the start.” We were having so much fun with this one, we let the tape roll as the guys carried on their musical jocularity. The hard part was having to pick where to end it.

When I Love You... The pure combination of love and lust. Speaks for itself.

 
HALF A WORLD AWAY
This is a beautiful Christmas tribute to the men and women of the Canadian Forces. Words and music by Victor Emerson. “It’s another Forces Christmas and you’re half a world away, An empty setting at our table on this special day, You could not be here with us, ‘cause you’re wearing your beret, While you’re bringing peace on earth to people half a world away”.
 
CHRISTMAS GOOSE
Writers Bloc, Ottawa’s songwriters’ collective, is proud to present this musical potpourri featuring 12 Ottawa singer/songwriters. All of the performers are active in one or more musical guises around the city, around the country, or around the world. Writers Bloc has provided many of these talented performers with the opportunity to develop and share their musical gifts. This CD , with its simple arrangements, is another example. We hope these future seasonal classics will be an annual favourite in your home.